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		<title>5. Who Framed Roger Rabbit - Historial de revisiones</title>
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		<updated>2026-05-19T06:18:51Z</updated>
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		<id>http://w.cidesa.com.ve/index.php?title=5._Who_Framed_Roger_Rabbit&amp;diff=2061775&amp;oldid=prev</id>
		<title>AlineMazza1 en 00:07 25 sep 2020</title>
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				<updated>2020-09-25T00:07:34Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
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		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Revisión anterior&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revisión de 00:07 25 sep 2020&lt;/td&gt;
		&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Línea 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;Walt Disney was a restless innovator; tirelessly pushing the boundaries of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;whatever &lt;/del&gt;medium he was dabbling in, whether or not it was animation, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;live&lt;/del&gt;-motion productions, or&amp;nbsp; &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;dredges - &lt;/del&gt;[https://s3.eu-central-1.wasabisys.com/animequiz/animequiz.html s3.eu-central-1.wasabisys.com]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, theme park sights. Rarely did he settle on what was at present doable; at all times wanting to invent, explore&lt;/del&gt;, and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;develop &lt;/del&gt;upon what was thought of doable. This was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;especially &lt;/del&gt;true in animation. Walt Disney Animation Studios has &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;at all times &lt;/del&gt;been a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;pacesetter &lt;/del&gt;in technological breakthroughs and inventive approaches to pre-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;current &lt;/del&gt;methodologies. There’s a reason that animation is synonymous with Disney (and vice versa), with &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;every &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;those &lt;/del&gt;new improvements, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;all &lt;/del&gt;the medium is pushed forward.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;total &lt;/del&gt;of six video game adaptations are based &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;mostly &lt;/del&gt;on the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;series launched &lt;/del&gt;for Japanese-owned consoles. Hudson Soft &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;solely &lt;/del&gt;printed these titles starting in 2009. Metal Fight Beyblade was released in March 2009 for the Nintendo DS which &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;features &lt;/del&gt;two-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;player &lt;/del&gt;mode &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;linked via &lt;/del&gt;Wi-Fi. In the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;identical 12 months&lt;/del&gt;, the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;digital entertainment &lt;/del&gt;firm &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;released &lt;/del&gt;the Beyblade: Metal Fusion &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;recreation &lt;/del&gt;title that featured 17 characters with over 20 beys to choose from. Voice commands are also enabled &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;in &lt;/del&gt;this &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;launch &lt;/del&gt;via the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;integrated &lt;/del&gt;DS microphone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Anything in a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;more &lt;/del&gt;&amp;quot;organic&amp;quot; shape or texture ended up trying plastic—which lent itself nicely to a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;movie &lt;/del&gt;about plastic objects springing to life. Toys &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;always &lt;/del&gt;hung out in a kid’s room, Lasseter added, which let animators do their illustrations on a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;perfectly &lt;/del&gt;flat flooring that was easy to render. At first, the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;staff &lt;/del&gt;was going to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;keep away from humans &lt;/del&gt;altogether; selecting to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;maintain &lt;/del&gt;them simply out of the frames, Lady-and-the-Tramp-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;type&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;rather &lt;/del&gt;than crudely animating their &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;features&lt;/del&gt;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The other artists who lent their voice for this &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;film &lt;/del&gt;have been Selena Gomez, Andy Samberg, Kevin James, Mel Brooks and Fran Drescher. Genndy Tartakovsky helmed the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;venture &lt;/del&gt;and he was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;also &lt;/del&gt;the director of the primary &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;half&lt;/del&gt;. The good Dinosaur, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;however&lt;/del&gt;, was given a thumbs up. People &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;loved &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;film &lt;/del&gt;and Arlo, the dinosaur managed to win many hearts.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;Walt Disney was a restless innovator; tirelessly pushing the boundaries of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;no matter &lt;/ins&gt;medium he was dabbling in, whether or not it was animation, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;reside&lt;/ins&gt;-motion productions, or &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;theme park points of interest. Rarely did he settle on what was at the moment doable; always eager to invent, &lt;/ins&gt; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;prewashes (&lt;/ins&gt;[https://s3.eu-central-1.wasabisys.com/animequiz/animequiz.html s3.eu-central-1.wasabisys.com]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;) discover&lt;/ins&gt;, and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;broaden &lt;/ins&gt;upon what was thought of doable. This was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;very &lt;/ins&gt;true in animation. Walt Disney Animation Studios has &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;always &lt;/ins&gt;been a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;frontrunner &lt;/ins&gt;in technological breakthroughs and inventive approaches to pre-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;present &lt;/ins&gt;methodologies. There’s a reason that animation is synonymous with Disney (and vice versa), with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;each &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;these &lt;/ins&gt;new improvements, the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;complete &lt;/ins&gt;medium is pushed forward.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;complete &lt;/ins&gt;of six video game adaptations are based on the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;collection released &lt;/ins&gt;for Japanese-owned consoles. Hudson Soft &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;completely &lt;/ins&gt;printed these titles starting in 2009. Metal Fight Beyblade was released in March 2009 for the Nintendo DS which &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;options &lt;/ins&gt;two-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;participant &lt;/ins&gt;mode &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;connected by way of &lt;/ins&gt;Wi-Fi. In the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;same yr&lt;/ins&gt;, the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;electronic leisure &lt;/ins&gt;firm &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;launched &lt;/ins&gt;the Beyblade: Metal Fusion &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;sport &lt;/ins&gt;title that featured 17 characters with over 20 beys to choose from. Voice commands are also enabled &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;on &lt;/ins&gt;this &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;release &lt;/ins&gt;via the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;built-in &lt;/ins&gt;DS microphone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Anything in a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;extra &lt;/ins&gt;&amp;quot;organic&amp;quot; shape or texture ended up trying plastic—which lent itself nicely to a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;film &lt;/ins&gt;about plastic objects springing to life. Toys &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;all the time &lt;/ins&gt;hung out in a kid’s room, Lasseter added, which let animators do their illustrations on a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;wonderfully &lt;/ins&gt;flat flooring that was easy to render. At first, the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;crew &lt;/ins&gt;was going to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;avoid people &lt;/ins&gt;altogether; selecting to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;keep &lt;/ins&gt;them simply out of the frames, Lady-and-the-Tramp-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;model&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;fairly &lt;/ins&gt;than crudely animating their &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;options&lt;/ins&gt;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The other artists who lent their voice for this &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;movie &lt;/ins&gt;have been Selena Gomez, Andy Samberg, Kevin James, Mel Brooks and Fran Drescher. Genndy Tartakovsky helmed the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;mission &lt;/ins&gt;and he was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;additionally &lt;/ins&gt;the director of the primary &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;part&lt;/ins&gt;. The good Dinosaur, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;alternatively&lt;/ins&gt;, was given a thumbs up. People &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;liked &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;movie &lt;/ins&gt;and Arlo, the dinosaur managed to win many hearts.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AlineMazza1</name></author>	</entry>

	<entry>
		<id>http://w.cidesa.com.ve/index.php?title=5._Who_Framed_Roger_Rabbit&amp;diff=2061447&amp;oldid=prev</id>
		<title>AlineMazza1: Página creada con '&lt;br&gt;Walt Disney was a restless innovator; tirelessly pushing the boundaries of whatever medium he was dabbling in, whether or not it was animation, live-motion productions, or  ...'</title>
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				<updated>2020-09-24T21:46:01Z</updated>
		
		<summary type="html">&lt;p&gt;Página creada con &amp;#39;&amp;lt;br&amp;gt;Walt Disney was a restless innovator; tirelessly pushing the boundaries of whatever medium he was dabbling in, whether or not it was animation, live-motion productions, or  ...&amp;#39;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Página nueva&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;Walt Disney was a restless innovator; tirelessly pushing the boundaries of whatever medium he was dabbling in, whether or not it was animation, live-motion productions, or  dredges - [https://s3.eu-central-1.wasabisys.com/animequiz/animequiz.html s3.eu-central-1.wasabisys.com], theme park sights. Rarely did he settle on what was at present doable; at all times wanting to invent, explore, and develop upon what was thought of doable. This was especially true in animation. Walt Disney Animation Studios has at all times been a pacesetter in technological breakthroughs and inventive approaches to pre-current methodologies. There’s a reason that animation is synonymous with Disney (and vice versa), with every of those new improvements, all the medium is pushed forward.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;A total of six video game adaptations are based mostly on the series launched for Japanese-owned consoles. Hudson Soft solely printed these titles starting in 2009. Metal Fight Beyblade was released in March 2009 for the Nintendo DS which features two-player mode linked via Wi-Fi. In the identical 12 months, the digital entertainment firm released the Beyblade: Metal Fusion recreation title that featured 17 characters with over 20 beys to choose from. Voice commands are also enabled in this launch via the integrated DS microphone.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Anything in a more &amp;quot;organic&amp;quot; shape or texture ended up trying plastic—which lent itself nicely to a movie about plastic objects springing to life. Toys always hung out in a kid’s room, Lasseter added, which let animators do their illustrations on a perfectly flat flooring that was easy to render. At first, the staff was going to keep away from humans altogether; selecting to maintain them simply out of the frames, Lady-and-the-Tramp-type, rather than crudely animating their features.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;The other artists who lent their voice for this film have been Selena Gomez, Andy Samberg, Kevin James, Mel Brooks and Fran Drescher. Genndy Tartakovsky helmed the venture and he was also the director of the primary half. The good Dinosaur, however, was given a thumbs up. People loved the film and Arlo, the dinosaur managed to win many hearts.&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>AlineMazza1</name></author>	</entry>

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