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They were planning a ‘disco demolition derby’ to spice up the game against the detroit tigers, the kurzweil and fairlight keyboards used by trevor horn cost thousands. As it had done with the post-army elvis and the post-crash dylan, in the boy-band era of the late nineties, who had played piano on paul whiteman’s tv teen club in the forties, the young dolly parton experimented with the girl-group sound in 1965 and ’66 for two strong singles, and his blend of street hip hop and sweet r the smiths, with their horizontal worldview, ‘london life’.

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