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A busy day in Permian Texas. Photograph composite by Julius Csotonyi, from The Palaeoart of Julius Csotonyi. Csotonyi himself gives some works longer explanations concerning the processes concerned in the reconstruction. These usually spotlight works with unusual compositions or viewpoints (corresponding to the superb ‘fish-eye’ sauropod view) and describes the way in which each piece was executed, typically with alongside draft variations. These provide some insights into his course of and will doubtlessly be useful to budding artists.
My private take-house message from these is the exhaustive consideration and analysis required to grasp not solely fossil animals, but to additionally reproduce reasonable landscapes and lighting, particularly when odd perspectives and water are concerned.
